Netflix Acquires Friday Franchise Months After Ice Cube Confirms “Last Friday”

We are witnessing a change in the entertainment industry. On December 5, 2025, Warner Bros. And Netflix entered into a deal. Netflix will acquire Warner Bros.

Discovery (WBD) has announced a significant agreement. HBO/HBO Max, DC Entertainment/DC Studios, and their respective content libraries make up this category, which additionally includes film and television studios. WBD’s enterprise value is valued at approximately US$82.7 billion in the cash-and-stock transaction, while its equity value is roughly US$72.0 billion.

Under the agreement, linear network assets, including cable channels like CNN, TNT, Cartoon Network, and others, are excluded. Discovery Global, a separate company, will take over as part of the previously announced reorganization.

This deal is significant because it brings historic film franchises and a newly greenlit comedy sequel directly into Netflix’s expanding global platform.

A New Chapter for a Cult Classic: Last Friday

In 2025, Ice Cube signed a deal with New Line Cinema and Warner Bros. to write and star in a new installment of the ‘Friday’ franchise – titled Last Friday. This is the fourth movie in the series and the first one to be released in over 20 years, since Friday After Next in 2002. In a public interview, New Line’s President and Chief Creative Officer Richard Brener confirmed the deal and described it as officially ‘green-lit’.

Ice Cube was responsible for writing all three previous ‘Friday’ films, co-writing the original with DJ Pooh, and writing both sequels by himself. For some time now, he has been advocating for the revival of the franchise. In June 2024, his credit was given to Warner Bros.’ new leadership. The plot details are still under wraps, so it’s unclear which cast members will return.

The announcement itself represents a significant turning point for fans who have waited decades for a ‘Friday’ comeback.

What the Acquisition Means for the “Friday” Franchise

With Netflix now acquiring Warner Bros.’ studios and distribution apparatus:

• The “Friday” franchise — now including Last Friday — will reside under the broader Netflix umbrella, giving it potentially far greater global reach than ever before.

• Netflix gains not only the ability to stream the original “Friday” trilogy, but also access to theatrical distribution, marketing muscle, and the potential to elevate or expand the franchise in new ways (streaming, cinema, possibly spin-offs).

• For longtime fans, this may mean increased visibility and renewed momentum — perhaps even the opportunity for the new film to reach a wide international audience through Netflix’s global platform.

Why This Deal Matters — for Hollywood and Viewers

• The merger of Netflix and Warner Bros. Marks one of the most significant consolidations in modern entertainment history. It merges a streaming-first juggernaut with a studio legacy that spans nearly a century.

• For viewers, it’s potentially a golden age of content: a massive library of classic and modern films and TV shows, combined with Netflix’s global reach and platform efficiency. This could mean easier access to beloved franchises, quality theatrical releases, and more ambitious projects.

• For creators and talent, the merged company promises expanded production capacity and resources. The combination of Netflix’s streaming scale with Warner Bros.’ production infrastructure and IP catalog could open more opportunities for new films, series, reboots, and creative experimentation.

What’s Next — What to Watch

• Regulatory scrutiny: Given the scale and impact of the acquisition, regulators in the U.S. and abroad are likely to scrutinize the deal to ensure fair competition.

• Timing: The acquisition is expected to close after the spin-off of Discovery Global (the cable networks/businesses being excluded), which is slated for completion by Q3 2026.

• For “Last Friday”: We don’t yet have a release date, cast list, or plot synopsis. The success — creatively and commercially — will likely depend on how closely it balances respect for the original films and whether it resonates with both longtime fans and new audiences.

In short: with Netflix’s acquisition of Warner Bros. and Ice Cube’s green light for “Last Friday,” the “Friday” franchise may soon reemerge — bigger, bolder, and far more global than ever before.

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How to Fix Epson L3210 Printer Not Printing Color Properly?

Would you like to print that beautiful holiday picture, frame it, and display it on your desk at work? Unfortunately, the printed version is very different from the computer version. Maybe the colors don’t appear the same, or even worse, the picture has spots, blurring, or white areas that shouldn’t be there. Before you give up on having that lovely photo on your work table, there are a couple of things you may do to fix the situation. Check out this post to learn why your Epson L3210 printer isn’t printing colors properly. Most of the time, there is a simple and quick fix for the mistake.

Causes of Incorrect Color Printing on Your Printer

A printer not producing color prints correctly is a very common problem—a short search on the internet will confirm this. However, before you shout at a customer service representative or toss your printer and cartridges out the window, have a look at this list of common causes and find a solution.

The Printheads are Blocked, Unclean, or Misaligned

When the printheads are unclean or blocked with dried ink buildup, a blank or white area appears on your printed paper. To determine whether this is the problem, print a test page or perform a nozzle check. If the sample fails to appear correctly, clean the printheads (you may do this from the PC using the ‘Head cleaning’ feature in your printer software or, on some devices, from the printer’s control panel). Keep in mind that ink will be used up when cleaning the printheads. Print a second test page after cleaning to see if the issue has been resolved.

If the test print has missing patterns, white horizontal streaks, or hazy colors, the printheads are most likely misaligned. Return to your computer, select the printer software’s “Printhead Alignment” option, and then adhere to the on-screen directions.

You Didn’t Choose the Color Choice in the Print Options

Even though it seems straightforward, we occasionally forget to set the color printing setting and deactivate the black and white one. Once you’ve done this, make sure your document prints appropriately.

Two-Way Communication Was Not Enabled

Verify that bidirectional communication is enabled between the printer and the computer. If this isn’t done, the colors that appear on the screen can be different. Additionally, it is important to consider the printer driver. An outdated driver can cause various issues as well. Therefore, check the status of the Epson L3210 driver update. If it is outdated, make sure to update it to the latest version.

You’re Not Using the Proper Color Profile

To guarantee that the printed image accurately reflects what we see on the display, the appropriate color profile must be utilized. RGB and CMYK are the two color modes. For color photos intended for digital media, RGB (red, green, and blue) should be used. However, CMYK (cyan, magenta, yellow, and black) mode is the optimum option for printed color materials.

Additionally, keep in mind that printing color documents may result in problems if the print quality is not adjusted appropriately for the image. You won’t obtain the best results if the quality setting is set to “low” to save ink. To achieve the best color accuracy, use the highest print quality.

The Paper Type You Are Using Differs from the One That is Chosen in the Print Settings

Paper selection influences printing outcomes; utilizing photographic paper differs from using a typical sheet of paper. To ensure the best print quality, use the same paper type as specified in your printer settings. Additionally, keep in mind that the paper’s porosity will impact the ink’s absorption and, consequently, the final product.

You’ve Run Out of Ink Cartridges

The printer won’t print anything at all if the ink tanks are totally empty. On the other hand, it will print when the amount of ink is low; however, it might not print with the level of detail you want. Therefore, check the level of ink in your cartridges and replace them if needed.

Conclusion

Lastly, a few tips: the colors require some time to set while the ink dries after printing. The colors may appear different while this is taking place. Additionally, keep in mind that the colors that show on screen will never quite match the colors that are printed. However, if you adhere to all of the aforementioned advice, you will undoubtedly achieve satisfactory outcomes.

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Stay In Your Lane reimagines heartache with “Learning to Live Again”

Stay In Your Lane’s latest single, “Learning to Live Again,” is a moving look at getting better, being strong, and having the quiet courage to start over. This mid-tempo acoustic ballad grabs people’s attention right away with its personal vocal delivery, which makes them feel both safe and vulnerable. Stay In Your Lane has made a song that sounds both old and new at the same time.

The song is a mix of soft pop ballad warmth, singer-songwriter introspection, and country/Americana storytelling. The organic instrumentation, featuring soft guitar lines and a subtly supporting band, infuses every note with a sense of earnestness. The arrangement maintains a quiet warmth that allows the song’s reflective quality to shine through.

“Learning to Live Again” chorus has a quiet sense of hope that makes people feel like they’re making progress without losing the raw honesty of the verses. It’s a complicated song about healing that sticks in your head long after it’s over. It would fit right in with a playlist of modern Americana, heartfelt pop, and singer-songwriter songs that make you think. The song is strong because it is so simple. It feels like every note and word was meant to be there, which makes it both comforting and emotionally powerful to listen to.

“Learning to Live Again” is a gentle friend for anyone who is having a hard time letting go of something. Stay In Your Lane’s new single shows that they can mix reality and art in a way that really connects with people and makes a lasting impact in the world of modern acoustic storytelling.

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westwell turns weakness into strength with soul-stirring new track “Fear”

westwell’s most recent single, “Fear,” is a quiet but powerful look at what it means to be human. It’s a song and a prayer that talks about the struggle between being weak and being responsible. It demonstrates a shared aspiration to step up when life challenges us beyond our perceived capabilities. The song doesn’t try to steer away from fear, but it uses it as a guide.

“Fear” makes people think about things in a musical and thematic way. You don’t have to get rid of fear or beat it, you just have to accept it as a normal part of being human. westwell takes a raw, personal feeling and turns it into a source of strength, a quiet fuel for becoming the person we want to be, for our kids, for each other, and for the future.

The song has a quiet sense of urgency that comes from someone who is trying to improve the world while also dealing with their own problems. “Fear” has a hopeful tone that keeps it from feeling too heavy or hopeless. Instead, it becomes a song about having a purpose in life and wanting to face the challenges of it with courage, even when you are full of doubt and uncertainty.

westwell gets that universal need to look back on our choices and know that we’ve done our best and been the person that history, or life itself, has called us to be. westwell’s “Fear” is a very human experience that shows us that accepting fear doesn’t make us weaker, it can make us do the most loving and brave things. It’s a personal, reflective song for anyone who wants to be a better person in a world that isn’t perfect.

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The Flu hits hard and fast with “Get Your Purse Get in the Truck”

The Flu’s new song, “Get Your Purse Get in the Truck,” from their album “It’s Been Going Around,” hits you like a jolt of raw energy you didn’t know you needed. The song grabs your attention from the first note and doesn’t let go. It shows off the band’s ability to mix storytelling with a catchy, high-energy sound.

The song’s lyrics make you feel like you’re on a wild ride, both literally and figuratively, and they make you want to go on an adventure. The way the words are put together, and the beat suggest a story that is both chaotic and strangely interesting, the kind that stays in your head long after the music stops. The song’s tight instrumentation matches the intensity of its story, which makes it a great choice for playlists that feature bold, daring songs.

“Get Your Purse Get in the Truck” is something you have to do. It captures the essence of “It’s Been Going Around” as an album that doesn’t shy away from high-energy storytelling, drawing listeners into The Flu’s world with each beat and verse. The song has a sense of urgency and catchy melodies that make it both exciting and memorable.

The Flu’s latest single is a must-listen for anyone who wants to hear new, daring music that pushes the limits. It has a catchy beat, smart lyrics, and never-ending energy that make it a great song that will be on energetic rock and alternative playlists. “Get Your Purse Get in the Truck” is about to make The Flu a band to watch, and “It’s Been Going Around” is getting a lot of attention. It’s the perfect soundtrack for the unpredictable moments in life when you just have to go for it.

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J. Jefferson & Brian Gentile bring mountain peace to the holidays with “Only Here – Christmas in the Mountains”

Austrian country-rock duo J. Jefferson & Brian Gentile take listeners to a peaceful winter world with their new single “Only Here – Christmas in the Mountains.” This moving Christmas song mixes the roughness of Americana with the wide-open alpine landscapes of Austria to create a soundscape that feels both close and far away.

“Only Here” makes you think of a snowy mountain in the morning. The soft guitar lines and warm vocal harmonies in the music show a quiet, thoughtful side of the season. Just breathing in the cool mountain air feels like a balm for the soul. The two of them capture the spirit of Christmas not with bells and jingles, but with a strong sense of place and presence. They remind us that we can discover happiness and peace again in the quiet arms of nature.

“Only Here” sounds like every chord and melodic turn was carefully chosen to make a winter scene, the soft crunch of snow underfoot, the distant glow of a cabin window, and the peaceful stillness that only the mountains can provide. It’s a holiday song that sticks in the listener’s mind and reminds them of how healing the season can be.

Brian Gentile and J. Jefferson’s song is about love, hope, and how nature can heal. It has the unmistakable sound of European country rock. “Only Here – Christmas in the Mountains” is a great Christmas song for people who want to feel real and not rushed. It takes you to a place where the season’s quiet magic comes to life.

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Jetskee fires off a melodic hit with new single “KILLER”

Jetskee, an independent artist from Monaco and Belgium, is still making his own way in the melodic trap and cloud-rap world with his new song “KILLER.” As always, Jetskee combines bright, wavy textures with an emotional undercurrent that moves with purpose.

“KILLER” is a smooth mix of floaty melodies and rhythmic bounce that pays homage to artists like Playboi Carti, Gunna, and Kid Cudi, who often have a lot of depth in their music. But the song is still very much in Jetskee’s world, which is based on feelings, colors, and movement.

“KILLER” pulls the listener into a melodic haze right away, wrapping its vibe around smooth singing and a rhythm. Jetskee’s voice, simultaneously soft and confident, contributes to the song’s emotional intensity. The track feels like floating through neon air, light, energized, and guided by instinct. The airy trap elements and the way the flow changes all add to the idea that this song is about raw emotion and the energy of the moment.

The most interesting thing about Jetskee is how easily he mixes being open with being sure of himself. The production shines, the melodies flow, and the performance shows that the artist is completely in touch with his work. Jetskee turns emotion into rhythm so that the energy inside you becomes something you can feel in your chest. “KILLER” is a sign of Jetskee’s growing artistic identity, bold, melodic, and very emotional. This song isn’t just another release for fans of modern trap with a dreamy twist, it’s a wavy, emotional experience that proves Jetskee is an artist with a clear direction and presence.

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Ayo It’s Milk and AKA the only one serve up infectious energy on “Always Knew”

Ayo It’s Milk and AKA the only one’s new song “Always Knew” sounds sure of itself and doesn’t need to be loud to be heard. The song takes pop-rap and alt-hip-hop and shapes them into a sleek, very modern shape on a base of rubbery low-end and sharp, syncopated drums. It sounds like the futuristic rhythm style of Missy Elliott and Timbaland. It’s fun, flexible, and has a lot of textures that sound good.

Ayo It’s Milk gives the single a simple confidence, and each part seems planned, and each groove is meant to pull the listener deeper into its rhythmic pocket. The low end not only keeps the beat, but it also bounces, turns, and gives the song its style. The percussion snaps in odd places, which makes the song feel alive.

AKA the only one, has lyrics and vocals that mix confidence with a wink. The hook fits the song’s theme of seeing the future and knowing it will happen. Instead of simply being brave, this approach involves changing the rhythm and shape of the words to make the delivery feel as lively as the music behind it. The swagger is sly and self-aware, like someone who knows they were right all along and is having fun showing it.

AKA has skillfully mixed and produced “Always Knew,” resulting in a clear and polished sound. Both the low-end throb and the high-end details, which shine through without overpowering the voice, are perfectly placed. “Always Knew” is brave, has a great beat, and is coolly prophetic. Milk and AKA made a song that sounds both new and familiar right away. This single shows that when instinct and skill work together, the results are precise.

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Billy Chuck Da Goat steers into new territory with “Left Side of the Road”

Billy Chuck Da Goat, an independent recording artist, is making a name for himself in modern Southern music with the release of his new single, “Left Side of the Road.” It comes after a steady rise based on hard work, honesty, and a growing catalog that recently passed 15,000 streams, which is an amazing achievement for an artist who manages themselves.

Billy Chuck is back with a song that feels bigger, bolder, and more confident than ever after the success of his breakout hit “Hold On To Your Britches,” which got more than 1,500 streams in its first week. “Left Side of the Road” has a confident delivery, down-home storytelling, and a modern edge that gives traditional Southern strength a modern sound.

The song paints a picture of someone going through the rough parts of life, staying on a path that isn’t always easy but is definitely real. Billy Chuck’s voice has the weight of experience, steady, seasoned, and not afraid to talk about the bumps and bruises that come with taking the harder path. The production fits that mood perfectly, with rough acoustic textures and a polished, modern sound that keeps the song moving with purpose.

The best thing about “Left Side of the Road” is how it points you in the right direction. Even when the story goes off on worn-out asphalt and long stretches of doubt, the tone stays steady, determined, and very southern. It’s the sound of an artist who knows where he’s been and is figuring out where he’s going.

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MIVA breaks the silence with new single “Sanity”

MIVA, an independent producer, songwriter, and artist from Montreal, is back with “Sanity,” a powerful new release that feels more like a moment of revelation than a song. MIVA is known for creating a sound world based on emotional gravity and growing self-awareness. With a new song that hums with introspection, tension, and magnetic presence, that world keeps getting bigger.

“Sanity” is like a confession whispered in the dark, which is measured, open, and not afraid to sit with the truth. MIVA expertly creates the song’s mood with a mix of steady, hypnotic production and a vocal performance that feels both emotionally raw and controlled, which reflects the song’s internal struggle. Every beat and change in melody feels planned, like the push and pull between order and disorder, fear and determination.

The song reflects emotional turmoil, but its true strength comes from the sense of growth that runs through it. MIVA shows how to get through instability. The music moves like someone who is facing their fears and building something stronger on the other side. “Sanity” becomes magnetic when it finds that balance between being fragile and growing.

“Sanity” feels like another chapter in the powerful story she’s been slowly telling, one where evolution isn’t just a theme but something that happens in real life. The result is a piece of music that stays with you long after the last note, making you feel like you’ve seen something real and changing in real time.

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